神傳不動流 Shindenfudō-ryū (the immovable transmissions by the gods) was founded by 源八郎為義 Minamoto Hachirō Tameyoshi in the Hogen Era (1156). The system has its origin from Kosshijutsu that came to Japan with Ikai and later transmitted to 出雲冠者義照 Izumo Kanja Yoshiteru in the Yeikyu Era (1113).

For the whole article click here…

http://bit.ly/shindenfudo

First I would like to say thanks to Dean Rostohar for coming to us once again, this was the 4′th time we had him over here. Also special thanks to Davor, Hana and Ivica who travelled by car all the way from Croatia just to come here to train and assist their own teacher! Also big thanks to René coming from the Netherlands and Jukka coming from Finland. Also thanks to Tony for helping with transportation and stuff, and Johan for taking pictures and filming the seminar. Finally also thanks to the participants from Kaigozan Dojo, To Nan dojo, Solstaden Karlstad, Eskilstuna Bujinkan, Örebro Kampsportsförening and Berserk MMA.

This was a very good seminar where Dean taught and showed us many, many good and useful techniques and examples from his personal experience. First I felt quite ashamed that I couldn’t get more people interested enough to show up on the seminar. Then I felt pity for the fools that missed the chance to get really good training, what did you do this weekend that was so important? Seriously, I don’t want to hear all bad excuses, let’s leave it at that I’m sure you can convince me you had good reasons .

As always Dean teach from his big heart, you who have been to his trainings know what I mean. The first day he did techniques based on the first technique Ichimonji from Kihon happo kata. But it was different than what he showed before, more realistic and useful. Although he never said that the basics is bad to know or practice, but the basics is basics to teach students a foundation to build up on. When you know the basics well you combine each basic movement to the situation, and it comes alive. You do what you have to do to benefit from the situation. He showed many different taijutsu techniques this weekend.

In the afternoon training Dean and his students from Croatia showed many interesting techniques and team tactics how to work in a group, everything from quickly climbing up over a wall, or in to a window. How to take out a guard and many other examples how to work as a team.

The second day Davor started by showing and teaching his excellent taihenjutsu skills, he did some of the best taihenjutsu moves I have ever seen. He was rolling smoothly and silently like a cat moves, very nice! Then Dean taught more taijutsu techniques from Kihon-happo. Then later on he showed us how to train up the sensitivity, and then he moved on to some sword techniques. Finally he showed and explained to us how to train while blindfolded.

The KGZ BUDO SHOP have many DVD’s with Dean Rostohar. This seminar DVD will be available for order in October 2009, shortly after there will be three more DVD’s with Dean released at KGZ BUDO SHOP. Here is a direct link to the Shinken Kata videos… https://www.budoshop.se/store/videos/dvd-bujinkan-budo-taijutsu/shinken-kata

Happy training!
Mats Hjelm (seminar organizer, dojo-cho at Kaigozan Dojo)

- Mats seminar pictures

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In Kihon-happo we attack straight to the face with a jodan-tsuki (in basic it should be a shikan-ken), so I will explain from this point of view. If he has a good ichimonji no kamae, he point his arm straight to my center which makes it more difficult. If his front arm is pointing to the side (like Gyokko-ryu), I would try to step on his foot while entering. But he is too clever for that, so he force me to move around his left arm. Going to the inside is not good so I will attack him from his outside.

I keep both knees bent, with the weight a little more on the rear right leg. I keep the spine straight and relaxed. I should be able to jump or push the body in any direction with the left or right foot. When I move in to strike, I want to be as quick as possible without making any signs before I explode forward in to the opponent.

The distance to the opponent decides how big the first step with the left foot should be.

I lift the left foot and quickly push the body forward with the rear right leg. I turn my left knee to the left in the same direction as the left foot is pointing (see the picture). There is no strange angles in the knee, I put the left side of the left foot on the floor first, and when my weight is over the leg, the whole foot will be rooted firmly to the ground.

Then I quickly put the right foot forward. As soon as my body weight passes the left foot I start pushing the body forward with the left foot, as I do this it is important that the left foot is rooted to the ground.

Soon after my right foot is placed on the ground my right fist makes contact. Then the spine twists, and my right foot and leg is starting to stop the body’s forward motion (if that is what I want*) as I strike through the target. The right knee should stop just above the toes, and you should have good balance and both knees bent. More weight on the right foot than the left foot.

*If the opponent jumps backwards or move quickly backwards, I can move the left foot forward very quickly with three more strikes in that left step (I will explain this in another tutorial if I there is interest). I can run after him much faster than he can run backwards, don’t think something else!

Also if the opponent doesn’t move properly here (like I explained in the previous tutorial) it will be very easy for me to kick him in the groin with the left foot (if he move the right foot too much to the side), or placing the left foot behind him for osoto-nage (if he moves his left leg off line).

* Ground the feet’s properly!

It is very, very important that the left foot (picture 2 & 3) does not turn on the ground as you are pushing forwards, then you will loose friction to the ground and you will slip very easily if you push forward strongly. Also Miyamoto Musashi spoke about the importance of rooting the feet to the ground and push the body forwards or backwards with the whole foot rooted, and not on the toes or balls of the feet.

But first let’s make some reference points. To get the distance right we need to understand that the opponent will hit you in the head with his right fist. And that you want to end up at a safe distance where you can block the opponent’s right arm from the inside without being to close or too far away. So you need to move your whole body as one unit about one arms length. So measure how far that is. I will use the tatami mat as a reference point so that you can easily understand. I recommend that you also use the tatami mat as I do here so that you can do the step without looking. And then look down and check if you are on the correct spot, angles and length wise.

Remember that you move the body one arm’s length, it doesn’t matter how long the opponent’s arms is. If he knows how deep he should punch (just through the target and not an inch more!) it will be perfect distance for you.

When you move from point A to point B in the first step you should have the exact same angles but one arms length further back to the side. You should have rotated the whole body about 30° to the left, but the angles and alignment should be the same.

So when you start in the basic Ichimonji no kamae both heel’s should be on the same line and pointing directly against the opponent’s center. I won’t go into detail about anything else than the footwork here. I might do a part two of this tutorial later?

The right foot and toes should be pointing exactly 45° back to the right against the other corner of the tatami mat. Keep a rather low position with both knees bent (in basic training, be extra low), more weight on the right leg.

Lift the right foot and push the body strongly and quickly back to the right with the left foot. You should explode from the position, so make sure the front leg is not too straight. Do not move the left foot first (I say that this is a bad habit). If you keep your right arm straight against the opponent, he will not step on the left foot, as he have to move around your arm.

The right foot should go exactly 45° towards the corner of the tatami. Note how the right foot have turned a little, but the heel should be on the line. At the same time the left foot should follow the right foot in a straight line.

As you can see this angle is about 30° from the starting point. Also worth mentioning is that the feet’s is never this wide apart as it is rather a jump than step, step. It is important that the upper body should not go anywhere else but straight backwards to the side as if you where on wheels.

See how the left foot ends up on the same line. Now you have moved the body 30° back to the right. You should end up in the exact same position as when you started. Your kamae is “closed” and good, aimed directly to the opponents inside.

From here you block and take his balance… as you can see you have also opened up the opponent’s lower region. You have the opening where you will place the right foot as you step in and counter with your own attack.

Training drill

A very good training drill is to stand in Ichimonji no kamae and move from point A to point B as explained above. Repeat this several times, you should move in a big circle keeping a perfect Ichimonji no kamae the whole time. Then change side and do it to the left. This is a good exercise that strenghten your legs and gives you a good foundation.

Happy training!

/Mats

The theme of this year is the rope. The rope can be used to describe many things…

The rope is flexible, it has no static form. It change form depending on circumstances. We should strive to be the same in our Taijutsu.

The rope can tie your weapons together, it can hold things together. When you use the rope for tying things together you should make the knot very easy to release, in a way that you quickly can release everything and free the rope. In Taijutsu, use the same principle. You can tie the opponent up, but you should be able to quickly get free. For example the ever so popular jujidori armlock from judo and MMA cage fighting is not it.

The rope can be used as a net, or linked to many things. Like the synapses in your brain, or cables between the internet routers. If you need to use a weapon in Taijutsu you know how to get it and use it without thinking. Because you already made a whole system where everything is the same. You don’t need to think because everything is already linked by the synapses.

Also you can psychologically tie up your opponent in Taijutsu as if you really had a rope in your hands. If you belive it strongly, do it as if you had an invisible rope. The opponent might feel trapped and confused… maybe!

This is from the forth coming Ten Chi Jin Ryaku no Maki DVD coming sometime this summer. I’m not sure if exactly this segment will be on the DVD (it is a little too long I think?), I will decide this later when I have all the material filmed and edited.

TCJRNM Sanshin no Kata (warm-up drill)
http://www.youtube.com/watch?v=_A63TvGQAYg

/Mats